Underestimate the Alabama School for the Deaf (ASD) if you want. They like it that way. You won’t know what hit you until you’re facedown in the turf, inhaling the scent of fresh-mown grass and Alabama soil, staring at the final scoreboard, which illuminates your flawed logic. ASD, billed as “home of the champions” and winner of four national football titles against hearing and non-hearing teams, is one of only 30 deaf high schools in the US playing 11-man football. The team shows up ready to compete.
Mink wrote to eight schools, knowing it was the longest shot he’d ever taken. Weeks passed. No one replied, not even to say, “You’ve got to be kidding.” Then coach Randy Nesbit called from a small college in Harriman, Tenn., 35 miles away. Mr. Nesbit was willing to give Mink a chance. Most of all, Nesbit was intrigued: He wanted to know if Mink was serious.
The live oaks that sprawl across the Southern landscape are like no other tree. Their trunks are massive, the limbs long and twisting, drooping to the ground, stretching to the sky, spreading to touch other trees. Most are hundreds of years old. Some thousands. They’ve seen floods, droughts, fires, hurricanes. And still they survive, the wood growing harder, stronger, more resilient, through every trial they endure. In Pearlington, Miss., they’re everywhere, a fitting symbol for a town that refuses to die and 800 residents who bend, but will not break.
A few vehicles dot the parking lot of New Hope Methodist Church in suburban Atlanta, but there’s no sound except the rumble of idling motors. Slow rain becomes a torrent, blowing in wide sheets, obscuring the pastor standing on the church steps as he delivers his sermon. Drivers flick their windshield wipers to life and stare straight ahead. They won’t leave their steel cocoons any time soon. They won’t need to: The sermon booms from their radios like Carrie Underwood.
Liberty Grove, established in 1835, is the type of church typically associated with Sacred Harp. The church interior is unadorned. Bare pine walls. Plain metal fans and naked bulbs dotting the pine ceiling. Worshippers scattered among straight pine pews in uneven clusters, their hands rising and falling in 4/4 rhythm, down on the first beat, up on the third. Feet keep time as well.
Hurricane Katrina drew the curtains on the theater, as well as on Bay St. Louis, two and a half years ago. But the arts community refused to let the lights dim, and today they’re helping revive a town in one of the rare success stories of post-Katrina life on the Gulf Coast.